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Proofreading Projects

Book cover titled "American Indians and the American Dream" by Kasey R. Keeler, featuring a black and white photograph of a woman and a smiling child in a kitchen.

Book cover titled "The Palace of the Snow Queen" by Barbara Sjoholm, featuring a snowy winter landscape with snow-covered trees and a pastel-colored sky.

A person drawing on the street with chalk in front of a green car and a group of people standing outside a building in the background.

Cover of a book titled 'Good Boys, Bad Hombres' by Michael V. Singh, with a subtitle 'The Racial Politics of Mentoring Latino Boys in Schools'.

Book cover titled 'Lucky Bug and Fragile Power' by Cynthia Culpepper, featuring a close-up of a green praying mantis on a red flower, with the subtitle about inventing safety, love, and success.

Cover of the book titled "A Technical Moral Polices" by Aradhana Sharma, with the subtitle "Good Governance, Transparency, and Corruption in India." The cover features colorful, abstract, and distorted patterns.

Cover of a book titled 'Futures of Digital Scholarly Editing' edited by Matt Cohen, Kenneth M. Price, and Caterina Bernardini.

Book cover titled 'Capitalism Hates You' by Joshua Gooch, featuring a red bull's head with large horns on a dark background, with subtitles about Marxism and horror film.

Book cover titled 'explosivity' with a background of a large, spherical object resembling a meteor or asteroid impact, producing explosive visual effects. Subtitle says 'Following What Remains' by Javier Arbona-Homar.

Book cover titled 'cinemaL' with the subtitle 'The Becoming-Animal of Experimental Film' by Tessa Laird. The cover features a colorful, surreal image of an animal resembling a sloth or an otter hanging from a tree branch, with vibrant colors blending into the background of green foliage.

Book cover titled "A User's Guide to the Age of Tech" by Grant Wythoff, with a black background and pink and blue neon text.

Abstract digital artwork with colorful text and patterns, featuring various overlapping fonts and the phrase 'The Little Database' by Daniel Scott Nelson.

A sign advocating for mobility justice beyond complete streets, featuring symbols of a pedestrian, a child with a ball, a car, and a house, with a cityscape and palm trees in the background.

A black and white photograph of a security checkpoint with a metal turnstile and a sign that reads 'CHECKPOINT 300 Colonial Space in Palestine' with the name 'Mark Griffiths' at the bottom.

Book cover titled 'Queer Kids and Social Violence: The Limits of Bullying' edited by Elizabeth Payne and Melissa J. Smith. The cover features a photo of a set of light green double doors with silver handles, slightly ajar, revealing a blurred background of a person and a school hallway.

Book cover titled 'States of Defeat' by Eric A. Vázquez, with the subtitle 'US Imaginaries of Revolutionary Central America' on a teal background.

Book cover titled 'Prison Abolition for Realists' by Anna Terwiel, with a cracked white background.

Book cover titled "Thinking Further: Fragments of Communicology" by Vilém Flusser, edited by Siegfried Zielinski and Silvia Wagnermaier, with a preface by Friedrich A. Kittler. The cover features scattered triangles in black, red, and blue on a beige background.

Cover of a book titled "Bridging Benjamin" with a blue background, featuring white zigzag lines connecting two large white shapes resembling stylized faces, and text indicating it is about the philosophy of technology, place, and education by Dominic Smith.

Book cover titled 'Fast and Furious Franchising' with a black silhouette of a sports car on a bright green background. Subtitle reads 'How the Serialized Blockbuster Remade Hollywood' by Dan Hassler-Forest.

Book cover titled "Ambient Life" depicting a damaged globe with copper wiring and electronic components, symbolizing environmental and technological themes.

Aerial view of a residential neighborhood with houses and a large industrial complex in the background. Overlaid text reads 'Grounding the Cloud,' 'Urbanism in the Shadow of Data,' and 'Ali Fard.'

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